Beethoven's Ninth Symphony
Loudoun Symphony
Saturday, September 19, 2026 at 7:30 p.m.
Independence High School
23115 Learning Cir, Ashburn, VA 20148, USA
Amy sings as soprano soloist in Beethoven's iconic Ninth Symphony.
"Chorale Architechture" (chorus) with The Washington Bach Consort
Sunday, October 4, 2026 at 4:00 pm.
National Presbyterian Church
Amy sings as ensemble member. Experience four cantatas that display Bach’s artful inventiveness with the chorale melody, evinced in the carefully wrought musical architecture he builds within and around each. Together they lead us on a musical odyssey—from anticipation to plea, vigilance to fulfilled joy. Nun komm, der Heiden Heiland, BWV 61, begins with a regal Advent invocation, shaped by an introductory French‑overture movement. At the program’s center stands the rarely heard Nimm von uns, Herr, BWV 101, a strict chorale‑cantata whose unusually sharp dissonances make Bach’s “Vater unser” plea strikingly intense. Wachet auf, BWV 140, offers both animated and serene readiness in its similar chorale-based approach. Herz und Mund und Tat und Leben, BWV 147, concludes the program with joyful assurance, framing each part with the same chorale melody now cherished as “Jesu, Joy of Man’s Desiring.” More information here.
La ballerina amante at Georgetown University
Tuesday, October 20, 2026 at 5:00 p.m.
Gonda Theater
Georgetown University
Amy sings the role of Madama Rubiconda in the first modern performance of excerpts from the new critical edition of Domenico Cimarosa’s operatic masterpiece La ballerina amante (1782).
The Creation of an Eighteenth-Century Comic Opera features the presentation of the new critical edition of Domenico Cimarosa’s masterpiece La ballerina amante (1782) published by Edizioni ETS (Rome, 2025) as part of the collected national editions of the composer’s works, and prepared by prof. Anthony R. DelDonna, Thomas E. Caestecker Professor of Music in the Department of Performing Arts at Georgetown University. The concert will feature a pre-performance discussion lead by Prof. Guido Olivieri, Ph.D. (Professor of Musicology, University of Texas-Austin) with the author and music director. The performance features the period ensemble Modern Musick and the Georgetown University Chamber Singers. This event is co-sponsored by the Italian Cultural Institute (ICI); the Georgetown Humanities Initiative; the Department of Italian Studies, and Catholic Campus Ministry. Frederick Binkholder conducts. Tickets and information here.
Post Classical Ensemble at Dumbarton Oaks
Friday, October 23, 2026 at 7:00 p.m.
Music Room at Dumbarton Oaks
Washington, D.C.
Amy sings Spanish art song by Joaquin Rodrigo, as well as Spanish Renaissance polyphony by Victoria. Tickets and information here.
The Polyphonists x Cantata Collective
Sunday, November 1, 2026
Berkeley, California
The Polyphonists once again team up with esteemed group Cantata Collective to perform two of J.S. Bach's beloved cantatas: Die Himmel erzählen die Ehre Gottes (BWV 76) and Mein liebster Jesus ist verloren (BWV 154).
"Vocal Polyphony" (chorus) with The Washington Bach Consort
Friday, November 6, 2026 at 7:00 p.m.
Saturday, November 7, 2026 at 7:00 p.m.
Amy sings as ensemble member. Featuring motets and liturgical works for four to eight voices from the sixteenth and seventeenth centuries, this program surveys the vocal traditions Bach inherited from the musical past. These works reveal a lineage of expressive craftsmanship and devotional fervor that would resonate variously throughout Bach’s own writing. A group of eight singers from the Washington Bach Consort, joined by organ and violone, bring this broad-ranging repertoire to life. Music by Palestrina, Gallus, Andrea Gabrieli, Bernhard, Schütz, Walter, Knüpfer, Johann Christoph Bach, and Johann Ludwig Bach showcases the breadth and refinement of the polyphonic heritage Bach himself received. More information here.
Voices of America: Celebrating American Composers | Recital with Annapolis Opera
Sunday, November 15, 2026 at 3:00 p.m.
Unitarian Universalist Church of Annapolis
Husband-and-wife duo Amy Broadbent and tenor Matthew Hill present a special concert celebrating 250 years through American composers that have told our stories in powerful and unforgettable ways. Across generations, music has shaped the American experience, capturing moments of triumph, struggle, hope, and change through the voices of its composers. Experience an evening that honors the rich musical legacy of America and the composers whose voices continue to inspire audiences today. Tickets and information here.
fluid dynamics with The Polyphonists
Wednesday, November 18, 2026 at 7:00 p.m.
Salisbury University
Water has always been a potent driver of metaphor, myth, and symbolism; the most foundational stories of our culture are full of water, from holy scripture to the French Symbolist poetry of Milhaud’s Cantique du Rhône and beyond. But the material relationship that we as humans have with water continue to change: climate change is causing certain geographical areas to become more prone to drought, others to flood more, and major storms to become both more frequent and more severe. These are not metaphors, but realities that couldn’t be more consequential. Fluid Dynamics is our small and incomplete meditation on this dichotomy of poetry and hydrology that undergirds our existence on this planet. More information and tickets here.
Vivaldi's Gloria with Cantate Chamber Singers
Sunday, December 6, 2026 at 5:00 p.m.
Bradley Hills Presbyterian Church
6601 Bradley Blvd, Bethesda, MD 20817
Nothing embodies the joy of the holiday season quite like Vivaldi’s ebullient Gloria, the ecstatic centerpiece of Cantate Concert Choir’s December concert. Joined by a chamber orchestra, our symphonic choir transports and uplifts with a program that also includes Francesco Durante’s Magnificat, complemented by contemporary celebrations of the season by John Rutter, Eric Whitacre, and Ola Gjeilo to inspire wonder and hope. More information here.
Messiah Part I Sing-Along at Georgetown University
Monday, December 7, 2026 at 7:30 p.m.
Dahlgren Chapel
Georgetown University
Amy sings as soprano soloist in this beloved D.C. holiday tradition. Proceeds and donations support cancer research at Georgetown. Bring your score and sing along! Frederick Binkholder conducts.
Bach's Christmas Oratorio (chorus)
with The Washington Bach Consort
Saturday, December 12, 2025 at 4:00 p.m.
Saturday, December 13, 2025 at 4:00 p.m.
National Presbyterian Church
The Bach Consort returns to the Music Center at Strathmore for what The Washington Post has called a “splendid” and “joyful” holiday performance of Christmas Oratorio. Of all such seasonal examples, this work is uniquely focused on the complete drama of the Nativity. The Consort offers this beloved European tradition every year with an all-star cast of soloists. More information here.
Talbot's Path of Miracles (chorus)
with The Thirteen
Friday, February 5, 2027 | 7:30 p.m.
Virginia Theological Seminary | Alexandria, VA
Saturday, February 6, 2027 | 6:00 p.m.
National Presbyterian Church | Washington, DC
Sunday, February 7, 2027 | 7:30 p.m.
Westmoreland UCC | Bethesda, MD
In Path of Miracles, British composer Joby Talbot takes the listener on a musical journey along the mystical Camino de Santiago de Compostela—literally, St. James of the Field of Stars. The work vibrates with the footfalls of the pilgrims who have walked this path for millennia, its four movements marking the major stages of the Camino. More information here.
Bach's St. John Passion with Bach in Baltimore
Sunday, February 28, 2026 at 4:00 p.m.
St. Joseph Parish
100 Church Lane, Cockeysville, MD
Soprano soloist. Experience the profound drama and spiritual power of Bach’s St. John Passion, one of the greatest masterpieces of the Baroque era. First performed in 1724, this monumental work brings the Passion story vividly to life through gripping narration, expressive arias, powerful choruses, and beloved chorales. From moments of intense conflict to passages of profound beauty and reflection, Bach creates an unforgettable musical journey through suffering, redemption, and hope. A cornerstone of the sacred repertoire, this masterpiece continues to inspire and move audiences three centuries later. More information here.
Bach's St. John Passion with The Washington Bach Consort
Sunday, March 7, 2027 at 4:00 p.m.
Amy sings as soprano soloist in this performance. Composed for Good Friday 1724 and revised through several Leipzig versions, Bach’s St. John Passion unfolds in two parts, bringing together Gospel narration, expressive arias, and chorales long familiar to Bach’s congregation. Tenor Gregório Taniguchi’s “emotionally piercing” Evangelist recounts the scenes of John 18–19 with gripping immediacy, while the chorus and orchestra animate the crowd scenes and offer reflective commentary as the story unfolds. Through this balance of urgency and reflection, this epic work speaks across centuries with a clarity that feels unexpectedly present today. More information here.
Bach's St. Matthew Passion with The Thirteen
Saturday, March 13, 2027 | 7:30 p.m.
Washington National Cathedral | Washington, DC
Amy sings as Soprano 1 soloist in this performance. Bach wrote his St. Matthew Passion three hundred years ago, in 1727, for his third Good Friday services at the Thomaskirche in Leipzig. Following our nationally acclaimed staged performance of his St. John Passion in 2021 and 300 years after St. Matthew’s composition, The Thirteen turns to Bach’s greatest Passion through a fully staged and acted-out production, bringing to life the drama, devotion, and depth of Bach’s most profound masterpiece. More information here.
"Voices of Easter" (chorus) with The Washington Bach Consort
Sunday, May 2, 2027 at 4:00 p.m.
Amy sings as ensemble member in this performance. Experience Eastertide traced across four musical scenes—Easter Day: Der Himmel lacht! (BWV 31) announces resurrection with a five‑part chorus and clarion brass and timpani that sound the morning’s brightness. Easter Monday: Erfreut euch, ihr Herzen (BWV 66), adapted from an earlier serenata, sets hope and uncertainty in dialogue before closing with “Christ ist erstanden.” Quasimodogeniti: Am Abend aber desselbigen Sabbats (BWV 42) opens with a rare instrumental sinfonia and places Christ’s word of peace directly inside a fearful room, its music holding reassurance and unease together. Pentecost: O ewiges Feuer (BWV 34) pairs an intimate alto aria with jubilant choruses and the blessing “Friede über Israel,” giving voice to the Spirit’s fire as the season comes into fullness. More information here.
CALENDAR
2026-2027 Season
For Navy Band performance schedules, please visit: www.navyband.navy.mil